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Shot–by–Shot Worksheet: Editing and Sound
Shot # Length
(sec.) Brief description of the shot EDITING–most significant aspect SOUND–most significant aspect
1 0.06
6 secs
Medium shot straight on angle. Shaun and Ed exit from door, Shaun leading the way. As he opens the gate he gets hit by a ball on the head. Mobile axis and no 180⁰ established. Soccer-ball sound hitting like a smashed glass,
2 0.07
1 sec Shaun and Ed are confused. Pan R and L Mobile axis diegetic sound increasing tension
3 0.08
1 sec Medium close-up angle. Shaun and Ed react to the soccer-ball hit. Ed unlocks the car. Pan R Spatial continuity editing, evidence of 180⁰. Reverse shot, pace and rhythm increases Vehicle siren, increasing tension, diegetic sound
4 0.10
2 secs Frontal Long shot. Shaun and Ed gaze at the car with alarm, quick pan L to zombies and back to Pan L on the boy zombie Eyeline shot on the character faces and the zombies, Car alarm continues, diegetic sound, zombies moan
5 0.12
2 secs Shaun and Ed reaction. Rhythmic relations. Shaun is confused but Ed takes action Continuity editing, rising pace, Diegetic sound, zombies moan,
6 0.14
2 secs Ed observes around to determine action eyeline shot of character and zombies Car alarm stops
7 0.16
2 secs Medium shot. Ed pushes off the boy zombie and heads to open the car door continuity editing, rising pace and Zombies continue moaning, diegetic sounds
8 0.17
1 sec Ed heads towards the driver seat increasing rhythm Zombies moaning
9 0.18
1secs Medium shot. Ed heads towards the other zombies but quickly holds the car door. Continuity editing, rising pace Zombies moaning, diegetic sounds
10 0.19
1 sec Ed gets into the car Continuity editing Diegetic sounds
11 0.20
1 sec Medium close-up shot. Shaun is inside, They tie their safety belts. Overlapping editing, Ed movement to car is overlapping, Zombies moaning, Diegetic sounds
12 0.21
1 sec Quick pan R to zombies approaching the car. Eyeline shot Diegetic Sounds
13 0.22
2 secs Medium close up shot. The focus is on the characters astonished faces. Quick pan to L and R to see the zombies on all sides Continuing editing. Eyeline shot focusing on the zombies, Increasing zombie moaning sounds,
14 0.24
2 secs Ed and Shaun still confused and amazed with the high number of zombies. Pan R and L Increasing rhythm, rising pace Zombie moaning
15 0.25
1 sec Medium close up shot on the character faces. Ed and Shaun are scared of the zombies and show tension with quick pan L and R Continuing editing, match on action, eyeline shot, rising pace, 360⁰ space. Zombie increased moaning, tension sounds,
16 0.27
2 secs Ed and Shaun quick glancing on the zombies from different sides Camera moves from one side to another focusing on zombies car starting
17 0.28
1 sec Medium close up on Shaun, Long shot Inconsistent camera shots Zombie moaning
18 0.29
1 sec Ed and Shaun still confused, Pan R and L, zombies surround the car, Shaun stares off extreme L Continuing editing, eyeline shot, rising pace, Flash frames Zombie moaning, Increasing tension sound and Shaun voice. “drive’
19 0.30
1 sec Medium shot focusing on all characters, zombies, vehicle, ed and Shaun. The zombies are so close to the car Continuity editing, spatial continuity, Zombie moaning, tension sounds
20 0.32
2 secs Reverse shot, Ed takes action, starts car and drives off, zombies, Continuity editing, constant screen direction, Zombie moaning, vehicle starts,
21 0.33
1 sec The zombies try to follow the car Reestablishing shot, focuses on the space for previous shot screeching sound
22 0.34
1 secsReverse shot, the car moves along the street. Ed and Shaun drive while listening to news on the occurrence Continuity editing, crosscutting, Vehicle sound moving, increasing tension sound
23 0.36
2 secs Shaun looks through the window in search of zombies surrounding them Camera movement is not consistent Radio Broadcast
24 0.38
2 Secs Shaun and Ed look around Eyeline matching Engine sound
25 0.40
2 secs Medium close up shot. Focus on Shaun astonished face. He is dumbfounded as they listen to the radio. Pan extreme L Eyeline match, Continuity editing, Radio sounds,
26 0.41
1 sec Shaun still looks through the window Continuity Editing vehicle moving sounds
27 0.43
2 secs Shaun glares. Pan R and L Continuity Editing Vehicle Moving sound
28 0.45
2 secs Medium close up shot. Focus on Shaun. Pan L. Shaun focuses outside the window on the events and moving zombies. Eyeline shot, continuity editing, consistent movement, Radio sounds, car movement,
29 0.46
1 sec Medium close shot Rhythmic cutting. Zombie Screams, Radio broadcast
30 0.48
2 secs Medium close up shot. Pan R. Shaun turns to the right to view more zombies. He is scared. Frontal close up shot on Shaun face Continuity Editing, axis of action, 180⁰ line. Radio sounds, car sounds
31 0.50
2 secs Medium close up shot. Pan R. Ed is disturbed with the news and bends on the radio system. Continuity Editing, distant profile shot, Ed voice, Radio broadcast
32 0.51
1 sec Establishing Shot. Pan L- El looks at Shaun Continuity Editing Radio broadcast
33 0.52
2 secs Medium close up, Pan R and L. Ed is uncomfortable with the news and insert a cassette to play. Spatial editing, Shaun and Ed talking, loud music
34 0.54
2 secs Shaun shouts at Ed for playing loud music Close Profile Shot Loud Music
35 0.55
1 sec Shaun stares at Ed and back to the radio system Continuity editing Loud music
36 0.57
2 secs Medium close up, extreme long shot. Shaun tries to stop Ed from playing the oud music. Ed resists while not focusing on the road, he hits a man Continuity editing, crosscutting, Shaun shouting ‘What are you doing’
37 1.00
3 secs Medium close shot, Ed tries to stop the car Discontinuity editing Screeching of car, loud sound, music stops
38 1.01
1 sec Ed and Shaun turn to see the hit an Continuity editing Silence
39 1.02
1 sec Close shot, Ed and Shaun converse Continuity editing Ed speaks, ‘did you hear something’
40 1.04
2 secs Ed and Shawn movements on side as they check the hit man from behind and the side mirror Continuity Editing Diegetic sound
41 1.07
3 secs Medium close shot, they view out the window through side mirror Continuity editing Shaun, ‘or someone’
42 1.09
2 secs Close shot from below, They look behind as the car moves Continuity editing Car engine
43 1.10
1 sec Car Stops. They both turn L Continuity Editing Car Engine, Screech
44 1.12
2 secs Medium close shot, they take reverse to see the hit man Continuity editing Car beep
45 1.14
2 secs The car stops besides the man Continuity editing Car engine sound,
46 1.16
2 secs They both look out the window to confirm if the man is okay Continuity Editing Car engine, rising tension
47 1.18
2 secs They check through the window Continuity editing Shaun asks, “are you alright”
48 1.20
2 secs They check the man and asks him questions to see how he is doing Continuity editing Ed- ‘come on let’s just go’
49 1.22
2 secs Medium close shot, still looking at the man Continuity editing Car engine sound
50 1.25
3 secs Ed and Shaun argue if the man is okay or not Continuity editing Ed and Shaun conversation, car engine
51 1.26
1 Sec Shaun tuns to look at Ed explaining that he may be a person and not a zombie Continuity Editing Ed, Shaun arguing
52 1.27
1 sec Shaun and Ed Pan L Continuity editing Rising tension
53 1.29
2 secs The man raises his head, Ed and Shaun are scared Continuity editing Cracking sound, car engine
54 1.30
1 sec Ed and Shaun still scared that the man is not responding Continuity editing Car engine
55 1.32
2 secs The man raises his head Continuity editing Rising Tension
56 1.33
1 sec The man keeps rising Continuity Editing Engine sound
57 1.34
2 sec Close up shot, zombie turns to look at Shaun and Ed Continuity editing Shaun- ‘thank God…
58 1.35
1 sec Ed and Shaun relieved that it’s a zombie Continuity editing Engine Starts
59 1.36
1 sec Distant shot. Ed switches on the radio, and starts the car Continuity editing Car screeching, Loud music,
